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Binocular. |
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Depend on the slightly different view each eye
has of an object. These cues are
only of value when the object is close enough to be viewed differently by
each eye. Therefore, since this is
often not the case within aviation, binocular cues are not discussed. |
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Monocular… |
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Aerial Perspective |
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F |
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L |
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P |
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Motion Parallax |
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Geometric Perspective |
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L |
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A |
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V |
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Retinal Image Size |
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K |
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I |
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T |
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O |
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Linear Perspective |
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Parallel lines, such as railroad tracks, tend to
converge as distance from the observer increases. |
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Apparent Foreshortening |
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The true shape of an object or terrain feature
appears elliptical when viewed from a distance. As the distance to the object or terrain feature decreases,
the apparent perspective changes to its true shape or form. |
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Vertical Position in the Field |
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Objects or terrain features that are farther
away from the observer appear higher on the horizon than those that are
closer to the observer. |
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Known Size of Objects |
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The nearer an object is to the observer, the
larger its retinal image. By
experience, the brain learns to estimate the distance of familiar objects
by the size of their retinal image.
A structure projects a certain angle on the retina. If this angle is large, the observer
“sees” the object as being closer, and vice-versa. To use this cue, the observer must know
the actual size of the object and have prior visual experience with
it. Without this experience, the
observer must rely on motion parallax
to judge an object’s distance. |
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Increasing or Decreasing Size of Objects |
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If the retinal image of an object increases in
size, the object is moving nearer the observer. If the retinal image decreases, the object is moving farther
away. If the retinal image size is
constant, the object is at a fixed distance. |
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Terrestrial Associations |
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Comparison of one object, such as an airfield,
with another object of known size, such as a helicopter, will help to
determine the relative size and apparent distance of the object from the
observer. Objects ordinarily
associated together are judged to be at approximately the same distance. |
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Overlapping Contours or Interposition of Objects |
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When objects overlap, the overlapped object is
farther away. An object that is
partly concealed by another is behind the object that is concealing
it. This is especially important to
us when making landings at night…lights flickering or disappearing in the
landing path should be treated as obstructions to the flight path, and the
path should be adjusted accordingly. |
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Fading of Colors or Shades |
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Objects viewed through haze, fog, or smoke are
seen less distinctly and appear to be at a greater distance than they
actually are. If atmospheric
transmission of light is unrestricted, an object is seen more distinctly
and appears to be closer than it actually is. |
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Loss of Detail or Texture |
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The farther from an object an observer is, the
less apparent discrete details become.
For example, a cornfield at a distance becomes a solid color. |
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Position of Light Source and Direction of Shadow |
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Every object will cast a shadow if there is a
source of light. The direction in
which the shadow is cast depends on the position of the light source. If the shadow is cast toward the
observer, the object is closer than the light source to the observer. |
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Often considered the most important cue to depth
perception. Motion parallax refers
to the apparent, relative motion of stationary objects as viewed by an
observer who is moving across the landscape. Near objects appear to move past or opposite the path of
motion; far objects seem to move in the direction of motion or remain
fixed. The rate of apparent
movement depends on the distance the observer is from the objects. Objects near the aircraft appear to move
rapidly, while distant objects appear to be almost stationary. Thus objects that appear to be moving
rapidly are judged to be at a greater distance. For example, grass along a road goes past very rapidly
because it is close…trees a little farther out seem to go by a little
slower, and mountains in the far background of your view seem to either sit
still or move with you. From this,
the mountains are judged to be at a greater distance from the observer. |
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